PUT PICTURE IN PSD TEMPLATE / FRAME IN PHOTOSHOP

put picture in psd template / frame in photoshop

Adobe Photoshop is one of the world's best known software applications and widely used in professional graphics, both in print and for web work. While there are some great open source graphics applications like GIMP or Krita, sometimes Photoshop is still the only application which can be used in certain cases - especially in the pre-press world.
One of the sources of its power is the native PSD file format. A PSD file can not only hold image data, but is more of a large container which can include metadata, camera info, text, vector artwork and more. Most other programs only handle a small subset of its capabilities.
PSD Import
Scribus does have its own native capabilities to import PSD files from version 6 and earlier - the latest version of the PSD format which is publicly documented. The Scribus Team has also been able to worm some features out of files created with later PS versions, so most PSD files can at least be loaded into Scribus, but they may have file format features which are not supported.
In general, PSD support is quite extensive, including:
The ability to manipulate and adjust layer settings.
The option to enable and use masking along with the paths embedded in the file.
In almost all cases, provided they are not defective, ICC color profiles which are embedded into a PSD are detected and used when color management is enabled.
Scribus generally will import 8-bit Greyscale, RGB and CMYK PSD files without issue.
Alpha transparency is supported.
Scribus will import PSD files with normal layers and will display the individual layers in the Extended Image Properties dialog, which is avialable from the Context Menu.
Clipping paths in PSD files will be recognized and can be used for text flow.
Blending modes which are in the image file can be used to affect the way the image displays and prints. It's also possible to modify blending or to apply other modes between PSD layers. This won't affect the original file.
In almost all cases Scribus will automatically detect the file encoding, whether it is ASCII, Binary or Binary with JPEG.
Potential Issues
Adjustment layers and effect layers are not yet supported. In such a case, Scribus will fall back to using a "flattened" version of the file.
Layered TIFFs saved from Photoshop are often not handled well by other TIFF readers and importing applications. This is because Photoshop actually embeds PSD type layers in a private tag. Scribus will attempt to read the PSD layers info and, if successful, make it accessible to the Extended Image Properties dialog. Text and vector layers within this private tag are not yet supported.
Specialties
DCS (Desktop Color Separations) 1.x/2.0 files are a special flavor of EPS saved in Photoshop and are imported natively - much like a PSD file - and complete with ICC profile support. Image quality should be close to or equivalent to the native PSD file. Vector masks are also detected and can be used to control the display within Extended Image Properties. DCS files can also be saved from Quark XPress®, but this flavor will be imported using Ghostscript as a filter for the time being. This is partly because the way Quark X-Press® exports them does not conform to the DCS specifications properly.
Scribus can detect Duotones, Tritones and Quadtones in PSD and Photoshop EPS files and import them. The difference between both formats is that you need to import the spot colors from the EPS separately via Edit > Colors > Import. If you import a PSD file, you can directly manipulate each of the spot colors within it via the Image Effects dialog, which is available from the Context Menu. In most cases, Scribus will detect the image as Duo, Tri or Quadtone and automatically import the colors from the PSD file.
Microsoft Expression Web enables you to generate a .png (PNG-24), .gif, or .jpg file from an Adobe Photoshop .psd file and select the Photoshop layers you want to include or exclude from the image. If you want to make changes to the original .psd file, in Expression Web, you can select the web-optimized image that Expression Web generated for you and conveniently open the original .psd file in your default .psd file editor, such as Adobe Photoshop.

Expression Web can import Photoshop .psd files that have all the following properties:

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IMPORT IMAGE INTO PSD IN PHOTOSHOP

import image into PSD in photoshop

Adobe Photoshop is one of the world's best known software applications and widely used in professional graphics, both in print and for web work. While there are some great open source graphics applications like GIMP or Krita, sometimes Photoshop is still the only application which can be used in certain cases - especially in the pre-press world.
One of the sources of its power is the native PSD file format. A PSD file can not only hold image data, but is more of a large container which can include metadata, camera info, text, vector artwork and more. Most other programs only handle a small subset of its capabilities.
PSD Import
Scribus does have its own native capabilities to import PSD files from version 6 and earlier - the latest version of the PSD format which is publicly documented. The Scribus Team has also been able to worm some features out of files created with later PS versions, so most PSD files can at least be loaded into Scribus, but they may have file format features which are not supported.
In general, PSD support is quite extensive, including:
The ability to manipulate and adjust layer settings.
The option to enable and use masking along with the paths embedded in the file.
In almost all cases, provided they are not defective, ICC color profiles which are embedded into a PSD are detected and used when color management is enabled.
Scribus generally will import 8-bit Greyscale, RGB and CMYK PSD files without issue.
Alpha transparency is supported.
Scribus will import PSD files with normal layers and will display the individual layers in the Extended Image Properties dialog, which is avialable from the Context Menu.
Clipping paths in PSD files will be recognized and can be used for text flow.
Blending modes which are in the image file can be used to affect the way the image displays and prints. It's also possible to modify blending or to apply other modes between PSD layers. This won't affect the original file.
In almost all cases Scribus will automatically detect the file encoding, whether it is ASCII, Binary or Binary with JPEG.
Potential Issues
Adjustment layers and effect layers are not yet supported. In such a case, Scribus will fall back to using a "flattened" version of the file.
Layered TIFFs saved from Photoshop are often not handled well by other TIFF readers and importing applications. This is because Photoshop actually embeds PSD type layers in a private tag. Scribus will attempt to read the PSD layers info and, if successful, make it accessible to the Extended Image Properties dialog. Text and vector layers within this private tag are not yet supported.
Specialties
DCS (Desktop Color Separations) 1.x/2.0 files are a special flavor of EPS saved in Photoshop and are imported natively - much like a PSD file - and complete with ICC profile support. Image quality should be close to or equivalent to the native PSD file. Vector masks are also detected and can be used to control the display within Extended Image Properties. DCS files can also be saved from Quark XPress®, but this flavor will be imported using Ghostscript as a filter for the time being. This is partly because the way Quark X-Press® exports them does not conform to the DCS specifications properly.
Scribus can detect Duotones, Tritones and Quadtones in PSD and Photoshop EPS files and import them. The difference between both formats is that you need to import the spot colors from the EPS separately via Edit > Colors > Import. If you import a PSD file, you can directly manipulate each of the spot colors within it via the Image Effects dialog, which is available from the Context Menu. In most cases, Scribus will detect the image as Duo, Tri or Quadtone and automatically import the colors from the PSD file.
Microsoft Expression Web enables you to generate a .png (PNG-24), .gif, or .jpg file from an Adobe Photoshop .psd file and select the Photoshop layers you want to include or exclude from the image. If you want to make changes to the original .psd file, in Expression Web, you can select the web-optimized image that Expression Web generated for you and conveniently open the original .psd file in your default .psd file editor, such as Adobe Photoshop.

Expression Web can import Photoshop .psd files that have all the following properties:

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CREATE GLOSSY, PLASTIC, 3D TEXT IN PHOTOSHOP

Create Glossy, Plastic, 3D Text in Photoshop

To begin, let's create a brand new Photoshop document. Go up to the File menu at the top of the screen and choose New, or for a quicker way, press the keyboard shortcut Ctrl+N (Win) / Command+N (Mac). Whichever way you choose, Photoshop pops up the New Document dialog box. Enter the size you need for your document. For this tutorial, I'm going to enter a Width of 6 inches, a Height of 4 inches, and a Resolution of 300 pixels/inch, which is a standard resolution for professional quality printing. I'm also going to set my Background Contents to White, which will set the background color of my new document to white. When you're done, click OK in the top right corner of the dialog box to exit out of it. Your new Photoshop document will appear on the screen.
To add text to the document, we'll need to use Photoshop's Type Tool. Select it from the Tools palette, or press the letter T on your keyboard to select it with the shortcut:

Select the Type Tool.
Step 3: Choose A Font From The Options Bar
Next, we need to choose a font. With the Type Tool selected, you'll notice that the Options Bar at the top of the screen has changed to show the options for the Type Tool. Choose whichever font you'd like to use from the list of fonts that you currently have available on your computer. This 3D effect works best with fonts that have big, thick letters. I'm going to choose Impact. You can also choose a size for your text if you like, but it's not really necessary at this point since we can easily change the size of the text later, as we'll see. For now, all we need is the font:

Choose a font from the Options Bar.
Step 4: Choose A Color For Your Text
Next, we need to choose a color for our text. If you look further to the right in the Options Bar, you'll see a color swatch. The color swatch shows the current text color. To change the color, simply click on the color swatch:

Change the color of the text by clicking on the color swatch in the Options Bar.
This will bring up Photoshop's Color Picker. Choose whichever color you'd like to use for your text. I'm going to select a bright shade of red. When you're done, click OK in the top right corner of the Color Picker to exit out of it:

Choose a new color for the text from the Color Picker, then click OK to exit out of it.
The color swatch in the Options Bar will change to show the color you've selected.

Step 5: Add Your Text To The Document
With our font and text color selected, click inside the document and add your text. I'm going to type "PHOTOSHOP", all in capital letters to enhance the effect. Don't worry if the text appears too large or too small for now. We can fix that in a moment:
When you're done typing, click on the checkmark in the Options Bar to accept the text and exit out of text editing mode:

Exit out of text editing mode by clicking on the checkmark in the Options Bar.
If we look at our Layers palette, we can see that Photoshop has conveniently placed our text on its own layer above the Background layer. This is what will allow us to work with the text independently from the white background behind it:

The text appears on its own layer in the Layers palette.
Step 6: Resize The Type If Needed
If your find that your text is too small (or too large), we can easily fix that using Photoshop's Free Transform command. First, make sure your text layer is selected in the Layers palette (selected layers are highlighted in blue). Then go up to the Edit menu at the top of the screen and choose Free Transform. You can also select the Free Transform command with the keyboard shortcut Ctrl+T (Win) / Command+T (Mac):

Select "Free Transform" from the Edit menu.
You'll see the Free Transform box and handles appear around your text in the document. To resize the text, hold down your Shift key, then click any of the corner handles (the little squares) and drag the corner inward to make the text smaller or outward to make it larger. Holding the Shift key down as you drag constrains the aspect ratio so you don't accidentally distort the shape of the text as you're resizing it. I'm going to make my text just a little bit bigger by dragging the handle in the bottom right corner outward. You can also move the text if you need to by clicking anywhere inside of the Free Transform box and dragging the text to a new location inside the document:

Resize and move the text as needed with Free Transform.
When you're done, press Enter (Win) / Return (Mac) to accept the change and exit out of the Free Transform command.

Step 7: Convert The Text To A Shape
To create our 3D effect, we need to alter the perspective of our text. There's only one problem though. Photoshop doesn't allow us to alter the perspective of text (see how that can be a problem?). To show you what I mean, make sure you still have the text layer selected, then go up to the Edit menu at the top of the screen and select Transform from the list. A secondary menu will appear showing all the various ways we can transform the contents of the layer we currently have selected. Notice how the Distort and Perspective options are grayed out? That means they're currently unavailable to us, and that's because Photoshop can't perform either of these two types of transformations on text.

The solution is to convert our text layer into what's called a shape layer. By converting the text to a shape, we'll be able to change the perspective of it and create our effect. The only downside to converting text to a shape is that the type will no longer be editable. In this case though, since we have no need to edit our text, we don't need to worry about it.

With the text layer still selected, go up to the Layer menu at the top of the screen, choose Type, and then choose

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CREATE AN INTERESTING LIGHT SWIRL EFFECT IN PHOTOSHOP

In this photoshop text effect tutorial we'll be creating a grungy, burnt wood text treatment. We'll go over some basic blending modes and use some filters and layer styles to create a look that would be perfect for a Hollywood movie poster.

Step 1
The first thing we need is the background texture. I'm using a roughed up wood image created by Beyond-Oddities. Open the texture in photoshop. I resized my texture to 1200×800 for a more manageable file size.

Step 2

Now we need to add some text. Select a brown color (I'm using #47e490e) and type out some text. I'm also using Arial Black for a nice bold typeface.

Step 3

We're going to work our way from the outside inwards. Let's first create the singed effect surrounding the actual text. Command+Click the Text Layer to Make a selection of the outline of the text.

Step 4

From the Select Menu choose Modify > Expand. Expand the selection by 25px.

Step 5

Create a new layer ("singed") with this layer selected fill the selection with a dark gray (#222222). This will be used for the singed area around the burn text.

Step 6

Now we need to bring some life to the singe with a few filters. First clear the selection by pressing Command+D. With the "singed" layer selected, choose Filter > Blur > Gaussian Blur. Add a 1.8 Radius Gaussian Blur. This will help take away the hard edge.

Step 7

Next we need to add some variation with a wind effect. With the "singed" layer still selected, choose Filter > Stylize > Wind. Set the direction to "from the left."

Step 8

Apply the same filter, this time with the direction "from the right." Now we have a nice grainy look to complement the burnt text.

Step 9

Change the blending mode of the "singe" layer to Color Burn and set the opacity to 30%. We just want the hint of burning.

Step 10

Now let's focus on the main text. Change the blending mode of your text layer to multiply. Now you can start to see our burn effect.

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PHOTOSHOP ADD SOME GLOW LIGHTS SWIRLS EFFECT

In this tutorial, Dominique Byron explains how to add textures to your work to give it a handmade feel, and how to combine these with shading and highlights to provide extra detail to your image.

Adding subtle textures to digital work makes it more interesting and can introduce depth to an image that looks quite flat. It also makes the piece appear less computer generated, adding a bit of mystery as to how it was created. This allows Dominique to add an organic flavour to her work's geometric base.

This masterclass will teach you how to add textures and shading to specific areas of your work using your own papers and textures, while not compromising the colours and shapes of your image. As these techniques are applied over the top of your artwork, it means that they can be applied to all types of images, from vector illustrations to photographs.

After I created all the basic shapes of the lobster, water/air and background in Photoshop (either using the Selection tools and Paint Bucket, or intersecting filled Shapes), it was time to apply texture and shading.

First, I split the image into sections by merging the shapes into layers. This was so I could work on one section at a time, and therefore reduce the amount of work I would have to redo if I made a mistake.

Next, I opened up an image of some scanned paper. I chose paper with a relatively fine and consistent grain so the image wouldn't look patchy later on, and also made sure it was hi-res enough to cover the biggest section of my image. I then dragged the paper into my image window so it became a new layer.

After moving the paper layer to the top of the image, I then Destaurated it (Cmd/Ctrl + Shift + U) to get rid of any colour, and changed the layer style to Multiply, to allow the colour of the image below to show through.

I made the colours of the image slightly brighter than I wanted in the final illustration, because adding texture darkens the artwork.

I then applied a Levels adjustment (Cmd/Ctrl + L) and manipulated the amount of black, grey and white in the texture using the sliders. Increasing the black and grey darkens the shadows of the texture, and with the layer style set to Multiply, boosting the white determines how much of the lobster image will show through. I made sure to check reference images of lobsters to ensure that the texture looked natural.

Next, I applied the texture to each section of the image. I did this by duplicating the texture layer multiple times, and placing one of these layers above each image section in the layer panel. I then made each texture layer a Clipping Mask (Cmd/Ctrl + Alt + G), so that the texture fit to each section separately.

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